This Article Full Text (PDF) References Alert me when this article is cited Alert me if a correction is posted Services Email this article to a friend Similar articles in this journal Alert me to new issues of the journal Add to Saved Citations Download to citation manager Add to My Marked Citations Citing Articles Citing Articles via Google Scholar Google Scholar Articles by Jarvis, B. Search for Related Content Social Bookmarking                   What's this?

Monsters Inc.: Serial killers and consumer culture

Loughborough University, UK, b.jarvis{at}lboro.ac.uk

Serial killing has become big business. Over the past 15 years, popular culture has been flooded by true-life crime stories, biographies, best-selling fiction, video games and television documentaries devoted to this subject. Cinema is the cultural space in which this phenomenon is perhaps most conspicuous. The Internet Movie Database (imdb.com) lists over 1000 films featuring serial killers and most of the contributions to this sub-genre have been made since 1990. This article examines seminal examples of serial killer fiction and film including Thomas Harris's Hannibal Lecter novels and their cinematic adaptations, Bret Easton Ellis and Mary Harron's American Psycho (1991 and 2000) and David Fincher's Se7en (1995). The main contention is that the commodification of violence in popular culture is structurally integrated with the violence of commodification itself. Starting with the rather obvious ways in which violent crime is marketed as a spectacle to be consumed, this article then attempts to uncover less transparent links between the normal desires which circulate within consumer society and monstrous violence. In `Monsters Inc.', the serial killer is unmasked as a gothic double of the serial consumer.

Key Words: commodification • consumerism • popular culture • serial killer • violence

CiteULike    Connotea    Del.icio.us    Digg    Reddit    Technorati    What's this?